Emily Rauh Pulitzer presents 22 “masterpieces” to the St. Louis Art Museum | Arts and theater
Artworks promised at the St. Louis Art Museum
Emily Rauh Pulitzer agreed to donate these works to the St. Louis Art Museum upon or before her death.
1. Emile-Antoine Bourdelle, “Mask of Beethoven”, c. 1905. Bronze with brown patina, partially gilded, in the form of a hollow mask (sand cast); 16 9/16 x 11¾ x 6 inches
2. Constantin Brancusi, “Mademoiselle Pogany III”, 1933. Polished bronze, limestone and wood; Bronze: 17½ x 7 x 9½ inches; Limestone base: 9 x 9½ x 9 inches; Wooden pedestal: 37⅝ x 15 x 15 inches
3. Georges Braque, “The fireplace”, 1921-1922. Oil with sand on canvas; 51¼ x 29¼ inches
4. Alberto Giacometti, “Portrait of Isabel”, 1937. Bronze; 11½ x 8½ x 9 inches
5. Philip Guston, “Dark Room”, 1978. Oil on canvas. 68 x 80 inches
6. Rachel Harrison, “Sculpture with Raincoat,” 2012. Wood, polystyrene, cement, acrylic, hanger, The Economist and waterproof Gherardini; 68 x 27 x 20½ inches
7. Rachel Harrison, “Photography,” 2020. Pigment inkjet printing; 12 x 16 inches
8. Gary Hill, “Liminal Objects # 8”, 1998. Single-channel video installation (table, chairs, curtain); 45 x 16 x 16 inches
9. Ellsworth Kelly, “Untitled,” 1988. Oil on canvas; 110½ x 110½ inches
10. Ellsworth Kelly, “Briar”, 1960. Graphite on paper; 28½ x 22½ inches
11. Joan Miró, “Painting”, 1953. Oil on canvas; 96½ x 67 inches
12. Joan Miró, “48”, 1927. Oil and aqueous medium on glued canvas; 57½ x 45 inches
13. Pablo Picasso, “Woman with a Red Hat”, 1934. Oil on canvas; 57 5/8 x 44¾ inches
14. Pablo Picasso, “Tête de femme”, 1962. Linocut in colors; 25¼ x 21 inches
15. Henry Peach Robinson, “Portal of a Church”. Photograph
16. Medardo Rosso, “The Golden Age”, 1886. Pigmented wax on plaster; 14½ x 18¾ x 6 inches
17. Georges Rouault, “Trois clowns”, 1917. Oil on paper mounted on canvas; 41½ x 29½ inches
18. Richard Serra, “Model for Twain”, 1982. Corten Steel; 5½ x 59¾ x 64¾ inches
19. Gedi Sibony, “The other great abundance”, 2014. Aluminum semi-trailer; 96¼ × 75 inches
20. Richard Tuttle, “New Mexico, New York # 2”, 1998. Acrylic on fir plywood; Irregular: 19 x 24 inches
21. Andy Warhol, “Self Portrait”, 1967. Synthetic polymer paint silkscreened, brushed and painted with stencils on canvas; 72 x 72 inches
22. Andy Warhol, “Marilyn Monroe”, 1967. Serigraph; 35¼ x 35¼ inches
