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    Emily Rauh Pulitzer presents 22 “masterpieces” to the St. Louis Art Museum | Arts and theater

    Bruce D. Lafontaine Posted on


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    Artworks promised at the St. Louis Art Museum

    Emily Rauh Pulitzer agreed to donate these works to the St. Louis Art Museum upon or before her death.

    1. Emile-Antoine Bourdelle, “Mask of Beethoven”, c. 1905. Bronze with brown patina, partially gilded, in the form of a hollow mask (sand cast); 16 9/16 x 11¾ x 6 inches

    2. Constantin Brancusi, “Mademoiselle Pogany III”, 1933. Polished bronze, limestone and wood; Bronze: 17½ x 7 x 9½ inches; Limestone base: 9 x 9½ x 9 inches; Wooden pedestal: 37⅝ x 15 x 15 inches

    3. Georges Braque, “The fireplace”, 1921-1922. Oil with sand on canvas; 51¼ x 29¼ inches

    4. Alberto Giacometti, “Portrait of Isabel”, 1937. Bronze; 11½ x 8½ x 9 inches

    5. Philip Guston, “Dark Room”, 1978. Oil on canvas. 68 x 80 inches

    6. Rachel Harrison, “Sculpture with Raincoat,” 2012. Wood, polystyrene, cement, acrylic, hanger, The Economist and waterproof Gherardini; 68 x 27 x 20½ inches

    7. Rachel Harrison, “Photography,” 2020. Pigment inkjet printing; 12 x 16 inches

    8. Gary Hill, “Liminal Objects # 8”, 1998. Single-channel video installation (table, chairs, curtain); 45 x 16 x 16 inches

    9. Ellsworth Kelly, “Untitled,” 1988. Oil on canvas; 110½ x 110½ inches

    10. Ellsworth Kelly, “Briar”, 1960. Graphite on paper; 28½ x 22½ inches

    11. Joan Miró, “Painting”, 1953. Oil on canvas; 96½ x 67 inches

    12. Joan Miró, “48”, 1927. Oil and aqueous medium on glued canvas; 57½ x 45 inches

    13. Pablo Picasso, “Woman with a Red Hat”, 1934. Oil on canvas; 57 5/8 x 44¾ inches

    14. Pablo Picasso, “Tête de femme”, 1962. Linocut in colors; 25¼ x 21 inches

    15. Henry Peach Robinson, “Portal of a Church”. Photograph

    16. Medardo Rosso, “The Golden Age”, 1886. Pigmented wax on plaster; 14½ x 18¾ x 6 inches

    17. Georges Rouault, “Trois clowns”, 1917. Oil on paper mounted on canvas; 41½ x 29½ inches

    18. Richard Serra, “Model for Twain”, 1982. Corten Steel; 5½ x 59¾ x 64¾ inches

    19. Gedi Sibony, “The other great abundance”, 2014. Aluminum semi-trailer; 96¼ × 75 inches

    20. Richard Tuttle, “New Mexico, New York # 2”, 1998. Acrylic on fir plywood; Irregular: 19 x 24 inches

    21. Andy Warhol, “Self Portrait”, 1967. Synthetic polymer paint silkscreened, brushed and painted with stencils on canvas; 72 x 72 inches

    22. Andy Warhol, “Marilyn Monroe”, 1967. Serigraph; 35¼ x 35¼ inches

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