Science museum

The science museum hosts the seven elders of Fausto Melotti

Hospitalization at the Museum: an initiative that excludes prevention from ordinary health establishments
Hospitalization at the Museum: an initiative that excludes prevention from ordinary health establishments

The museum welcomes The Seven Wise Men by Fausto Melotti In its spaces, thanks to the strengthening agreement between the Municipality of Milan, the Metropolitan City and the Museo del Novecento. Indeed, from Friday, October 29, the National Museum of Science and Technology will exhibit the collection of sculptures in The garden of the first monastery of the monumental buildingAnd Return to the city, in a permanent place, an emblematic work that is part of the Milanese heritage of the twentieth century.

The science museum hosts the seven elders of Fausto Melotti

Recently restored monasteries were selected for the site of the sculptural group, in order to create Connect sculptures, green spaces and architectural contextWhere the shapes are arranged according to a geometric pattern that defines the play of looks, in an ambiguous silence aimed at renewing the spirit in which Milotti, the artist and engineer, thought. This cultural project is part of the identity and mission of the Museum of Dialogue between Art, Science and Technology.

The arrival of “I Sette Savi” at the museum is part of a Project path to improve and use archaeological parks and facilities, while protecting the Superintendent of Antiquities, Fine Arts and the Urban Landscape of Milan, as well as the continuity of the cultural and organizational activity of the museum. The structural and founding interventions of the Seven Elders were carried out thanks to the contribution of the Lombardy region.

The work of the “Seven Sages”, consisting of Seven stone sculptures by Viggio, in 1961 by the Municipality of Milan to Fausto Melotti to garden the new building Carducci High School . The seven sculptures take up and modify the plaster work “Constant Man” presented by Melotti at the VI Triennale in 1936 for the Sala della Coerenza designed by Studio BBPR (Banfi Architects, Belgioioso, Peressutti, Rogers): twelve plaster sculptures, with the hollow hand at height The heart, arranged in three rows of four sculptures each. By drawing human figures without details which also refer to the statues of De Chirico, the artist reread The subject of the wise guardians of ancient Greek civilizationAnd ThalesAnd very lonelyAnd PeriandroAnd CleopoloAnd ChilonAnd declaration NOT. petaco , referring to the reconstruction by Diogenes Laërce in La Vie des Philosophes.

Of Sette Savi Melotti, he made other specimens, in addition to those in stone: a plaster copy, probably preparatory to the sculpture by Liceo Carducci, and one in marble commissioned by the Municipality of Milan in 1981 and exhibited at the PAC , Contemporary art pavilion, in Via Palestro. To install Savi you can go back to choose one An open space, to create a link between artefacts, nature and the architecture that surrounds it , where the sculptures are arranged according to a geometric pattern that defines the play of looks in a mysterious silence, free from any form of anguish. Their imposing form evokes a feeling of reassuring protection, drawn from the almost hieratic wisdom that they seem to instill in those who observe them: they are in fact quiet entities who calmly face the passage of time, welcome it without concern, and invite the viewer to do the same.

The sculptural collection reflects well the multifaceted training of Fausto Melotti, engineer, musician and sculptor, besides being a symbol of the creative realization of a period of particular importance for Italian and Italian art, in which the history of the city merges with the history of the country. The museum’s desire to give back the “seven wise men” to society is intended to be a concrete action for it. Emphasize the value of culture as an essential factor of knowledgeWith the aim of social cohesion based on a strong identity value: Art, science and culture are in fact elements of a union through which oneself can be recognized as part of the same history..


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